Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
或许这就是现实吧,毕竟这二十年的美好,的确是存在的,少年里昂就是见证者。
希望多一些国内的导演,多拍一些符合我们自己风格特色的好电影
的作品的时候
《外婆的蓝色铁皮柜轮椅》★★★★★“绵绵流淌的回忆” > 《哼将军和哈将军》★★★★“绝代双骄的逗趣” > 《萤火虫女孩》★★★“奇境梦幻的浪漫” > 《蒯老伯的糖水铺》★★★“暇意生活的甜蜜” > 《小火车》★★★“哀伤励志的隐喻” = 《翼娃子的星期天》★★★“民工家庭的温馨” > 《小兔的问题》★★“童真可爱的畅想”
永远可以相信语言具有丰富性的作品。两个镜头看出这是哪个城市,有点小得意
出轨之人都是人渣,不可原谅。
家庭的基础是爱,而非血缘。
值得推荐。
还不错,后面几部分比较好,喜欢糖水铺那里的镜头
有点点可惜电影里,两个爸爸那么美好的感情,经营着很幸福的家庭,在经过二十年后,竟然等来的是一方出轨。
家庭的基础是爱,而非血缘。
有两位父亲的十几岁少年制作了一部有关双亲的纪录片
还不错的意式喜剧,中间桥段有些过于经典,但是发生在同性身上会让人更好奇故事的发展。主角挺帅的,冲着颜值看完了。
爱无关乎血缘,是生活中的千丝万缕汇聚而成。
《翼娃子的星期天》尤其好,简简单单就勾勒出了众生百态
1.15,最爱外婆那章。当绘本不再是围绕儿童,而是选择剥开成人世界的无奈,呼唤童心回归,这部作品就成功了。不争气地哭的稀里哗啦,我们也曾年少拥有过童真。
……
在北京国际电影节首映见面会看到了这部动画,现在能看到非工厂模式化的动画,太不容易了
还有最受欢迎的《哼将军和哈将军》,我9岁的儿子最喜欢这部。
有回忆祖孙情的《外婆的蓝色铁皮柜轮椅》,
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