According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.
老年丧子。
反派那股子狠劲儿让人恨的牙痒痒，最后打得是真爽！
不需要耗费太多脑力的爽片，直接看马东锡拳拳到肉，平推过去就好了，看着真爽，都是上一部的老面孔。
面对胳膊比大腿还粗的壮汉，能有勇气一战，已经是非常厉害的坏蛋了！
有一个能与马东锡铁拳匹敌的极恶反派太重要了。孙锡久NICE！
除去韩国人快语速的讲话语气和特有的幽默细胞，其他看哪儿哪都像曾经的港片，然而我们已经没有这样的港片看了
看艾尔莎换装，
有一种具先生在鸭子店混不下去了变身绑架犯的感觉
有意思~有意思~有意思~文戏也别要了，看马东锡揍人就行
太吃神马东锡这套了，暴力血腥无脑犯罪爽片，同时有不少喜剧元素中和，看他打人就是一个过瘾哈哈哈哈
作为韩国巨大爆款对比极限职业之类的片子，完成度还是很高的，比第一部更加直给，案情的设置更粗暴，动作戏也更升级，更血腥也更娱乐属性。越南韩国两地取景不免让人联想到当年颠覆的香港，韩国类型电影真的崛起啦
两部电影都是尬黑中国逃窜的犯罪份子，凸显韩国警察的正义，马东锡出场的方式都一样，最亮眼的表演都在反派身上，把亡命之徒的那种暴虐、狂放体现得淋漓尽致。
久旱逢甘雨，
久旱逢甘雨，
相较第一部更偏喜剧了，可惜提升娱乐性的同时观感在下降
最后公交车一战就值4星，拳拳到肉，真是爽翻….荐！
有点拖沓。马胖很可爱~有点90年代电影的感觉
一家都挂你电话HH 在越南一屋子人候着 都能硬战，到韩国才来3个警察 就吓跑了？韩国车道掉头这么容易？反派干了这么多票还这么穷逼叨叨的样子也是挺创业失败的啊。看马东锡过肩摔轻松地感觉自己也可以了 HH 为什么会觉得反派帅？get不到啊这么凶残的人。“我们五五分。谁拿五。……”HH 做警察真得练好技能不然分分钟出事啊
悍匪辣么猛，和马胖子相比，居然不是一个量级的
千万不要带着逻辑和常识去看，就是一部爽片儿。
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