Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
还挺不错的动作冒险爆米花电影，剧情一般但也有亮点，动作戏行云流水非常流畅，趣味性也够，很多小细节处理的还挺有趣，虽然漂亮国意识形态一览无余（包括片尾天朝乱入），不过还是能看的很开心。Rock和Ryan都真的老了，形象也太固定了，他们已经不是在扮演角色，他们真的近乎是只能本色出演了，bliss & curse at the same time吧。Gal真美，但是其实也面临同样的问题吧…反正整体观感还可以，同属于那种包装的很高智商但是实际上观众真的不需要带脑子看的动作喜剧爽片，很适合周五的晚上啊…
典型商业爆米花片，最后反转真的很生硬，尤其是比起神奇女侠GG，巨石强森明显和死侍RR更有CP感。
关于我妈一件戳心的小事：她说不要哭，要坚强，她最爱我。
王炸卡司，稀烂剧情，既无逻辑又无趣，Ryan Reynolds是从小贱贱中走不出来了。
没看过原版，剧情俗套，但还是挺催泪的，片中的奶奶，父亲，母亲，病友也能触动到我，张婧仪的台词和演技还有待提高，女主的人设挺奇怪的，一会孝顺，一会叛逆，而且知三当三的行为我也理解不了，不过我妈给的评价还挺高的
把各种类型片全加进电影里，结果生搬硬套到烂……
听到配乐就觉得不妙，这真的不是迪士尼出品吗？？？没想到瑞恩小三上位，女神真是个大度的正宫娘娘。国际警察堪比智障
剧本没啥可评价的，意料之中。只为了看加朵，两星给她。雷诺兹永远都是一个风格，不感兴趣，看多了也腻，不过我喜欢布蕾克·莱弗利。
剧情有些冗长~
现在非要把所有瑞恩雷诺兹的人设都设置成话唠属性吗？
“不要把生命献给无知、平庸和低俗”。
范光头面试《猫》的视频肯定比这部片要好看多了
only watched it to test my new dolby vision TV; I wouldn't even finish this stupid thing if not for Gal Gadot's breathtaking looks.
“不要把生命献给无知、平庸和低俗”。
无聊的电影，盖尔加朵也就刚出场的时候那一身爱斯基摩人打扮惊艳了一下
挺欢乐，盖尔加朵真没那么好看吧，女二比她养眼多了
整体来说非常一般的流水账爆米花，好久没看过这种乏味的偷盗类型动作片了，三个演员每个人的角色设定都太太太典型了，故事也是典型的好莱坞流水线剧本。整部片子毫无新意，看的我直打哈欠。另外小贱贱以后接的角色是彻底固定了么，这种贱兮兮话很多的二逼角色，为什么现在他出演的每一部片子都是这种角色风格，实在是太腻了。
reynolds真的好会犯贱！但打戏替身连发型都对不上。。。爱得稀烂比GOT里演的好
元素堆积的偷盗电影，各种奇葩的剧情都能往里面堆，不过，这三人组合确实能碰撞出一些火花来，还挺期待有没有续集的？
说实话真的好没意思啊，完全可以看困的片，剧情不用猜都知道，结尾虽然有小反转但也是意料之中，这么各司其职的标签也太明显了，也是给三位目前最红的大咖来个聚会吧
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