"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
推理元素非常薄弱，但是我真的好喜欢这个系列
带一点童话色彩，还蛮有意思的。卡司都蛮喜欢的。
和前作一样，故弄玄虚搞了一大堆人物来制造迷雾水时长，但比前作稍微好了一点，至少埋线没有之前那么明显了。最后的真凶也确实有点出乎意料。
东野圭吾犯罪动机的复杂性，在这里出于种种原因被简单化了。然后就剩下支离破碎的天王耍帅和各路人马配合。 两个小时，如坐针毡。木村还是帅的，长泽还是美的，但电影是失败的。
众星云集可是呢依然无聊！而且酒店的服务有点变态了吧！犯罪的过程和理由都挺奇葩！但是呢在这个酒店形形色色的人还是挺喜欢的！
永野芽郁太可爱了，演技自然不做作。这种天然派的感觉不由令人想起了奶遥，再说这两人真的气质风格都好像啊！
许多人物没立好这件事先不说，全片最后一句台词，惊人的気持ち悪い。这哪里是讲述无血缘家庭现状，活脱脱就是被男人拖累的一生。女孩亲爹为了追梦抛弃妻子，二爸意味不明有钱老好人，三爸东大毕业精英但找不到人生意义，女从天降才得以快乐生活。未婚夫幼稚又自恋，最后大言不惭说：然后这一棒传到了我手中。？？？？女主是人啊，不是让你们传来传去然后以此获得一些什么个人满足和价值实现的东西ok？
從小到大都被溫柔與愛包圍的人才是最富有的人
三个父亲的立场还是感觉站不住脚，石原表现的有些浮夸。整体很勉强。
看二个主演，故事还是一般，里面关于酒店的描述让我想起了很早的一部英剧，巴比伦饭店
明石家也叫友情出演 因为他被按在了那块广告牌上面 哈哈
啊，想用复古的视觉、妆化营造架空感。没用……每个人都有演技，但角色和角色看着没啥情感链接
像个民间童话故事，孩子太可怜，没了妈妈又没了爸爸又没了妈妈，结果有了三个爸爸三个妈妈，结尾有些生硬拖沓
我不李姐.....当时看预告片还是蛮期待的本来.....有点浪费了这么美的服装道具色调，咩穿上婚纱直接美哭。
日剧悬疑已经被韩国碾压了，摩擦。跟日本经济这几十年一样原地踏步。答案的揭晓一点都不高级，全是莫名其妙一下子揭露了，木村拓哉和长泽都老了
2.5+0.5私心給演很好又可愛的永野芽郁
中规中矩，要是两边的时间年段更明显就好了，十元居然开始演妈妈了orz
好喜欢这种做作的fancy感 结尾好拖沓 开头的田中姐姐好好看
跟前作整体水平类似，依然是用闪瞎眼的阵容讲述一个日式的推理故事。不知为何，两位主演感觉有一点点僵硬。
果然，只有我们两个人组合在一起，才叫罗西尼啊！（PS：华纳换片头了；十元一出场，整个剧组得准备多少套服装啊。）
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