Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name.
Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions.
Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor).
Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world.
David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.”
Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.”
Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.”
Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.”
Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.
强烈的感受——Kitsch，甚至Kristen Stewart都没有什么问题，已经很拼命，怎奈电影本身实在做作之极到让人无法忍受。
当然，我尽可不感伤，毕竟那离我太远太远，我还远未到不喜欢华服美食的地步。
强烈的溺水之感。然而只展示情绪的代价有点大，总给我一种小K演了个疯婆子的错觉。
6.看得出小k在用心演戏，但是预告片里展现出的温婉并没有在电影里延续，戴安娜太锋利，可表现出的温婉不是刻进骨子的，而是浮在面部的明显歪头动眼皮，肢体动作不够自然
演技好，但好像也只有演技好，放在近两个小时的电影中又显得太单薄
很直白很满，但还是比预期要好。最大亮点可能是BGM…
导演和主演都不太行，克莉丝汀斯图尔特虽然很认真，但演技下降了。
作为一个戴安娜的粉丝，看这部电影的感觉有些不一样，或许这是克里斯汀·斯图尔特最好的表演，但是这并不是最好的戴安娜，也不是最好的英国王妃#2022奥斯卡阅片倒计时#
本片就像导演帕布罗·拉雷恩的前作第一夫人 Jackie (2016)一样，清冷的色调下是情绪的游走，大特写，乱音乐，意识流，新散文，像恐怖片的神经质节奏，提醒她再不离开安妮博林就是她的下场。
太窒息了 封建桎梏雾霭沉沉 却挡不住她想要求生的欲望 哦不仅仅是生 更是更是生活 她孤勇一人冲入枪林弹雨的时候泪腺崩溃 谢谢她最后能穿上心爱的牛仔裤做回自己
克里斯汀斯图尔特虽然口音上不太接近，但影片把她拍得绝美。
片子本身质感和节奏都不错，但实在不能因为k长得好看就说她演得好，只能说她尽力了，演得比她自己以前好，比如她为何时刻都在扭我就不理解……另外英国人到底是多讨厌皇室……
对皇室就不是很感兴趣，纯粹看看K的表演，感觉完全就是在展示K有多美。剧情节奏一直维持的很好，最后半小时有点崩盘，摄影技巧方面都很不错，配乐更是眼前一亮，看到最后字幕才知道原来是Greenwood老师的出品。
取三天，is it the past, the present or the future, 三天，什么样的悲伤都有。每个走廊镜头、推拉镜头，身后总是墙，她没有地方可逃。
看不下去！情节拖沓，小题大做，表演夸张，音乐刺耳。看到一半就关了。
妆发大约是全片最强亮点，小k表演不差，但从剧作而言，这个人物显得太单薄了，全程像一只脆弱的花瓶。
K的小动作，在片子里一点也不突兀，画面好美。没有黑人！！！！！！虽然不像戴安娜王妃，但是一个和戴安娜有相同命运的人！配乐也很克制。剧本挺好的，台词也很好。k好美好瘦。
小k给了两种割裂的表演：第90分钟前的黛安娜和第90分钟后的黛安娜。
太窒息了 封建桎梏雾霭沉沉 却挡不住她想要求生的欲望 哦不仅仅是生 更是更是生活 她孤勇一人冲入枪林弹雨的时候泪腺崩溃 谢谢她最后能穿上心爱的牛仔裤做回自己
高开低走了属于是，把王妃整成了一个赤裸裸的神经病+同性恋
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