James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
作为初代高达的原作者之一的安彦良和亲自操刀的高达动画电影,只能说老爷子做动画和电影还有机战都是本当下手……分镜做的太拉胯了,全中置的构图实在太古早(不如光头的分镜出色)……陆战高机动扎古的动作堪比特摄皮套。倒是酱油的钢佩利和小飞机的演绎非常不错。
《藏草青青》很干净疗愈的片子,
多好的铲除白色恶魔的机会啊……可惜了十字星小队。
有缘去过一次草原,感谢导演把这么美的景色带给我们,拍得太美了
什么阿猫阿狗都能跟阿姆罗五五开了?
盗猎者那段想起了可可西里,太难过了.
UC宇宙里难得的暖心结局,感动了!真男人就是要开扎古!
片中将地域间教育资源的不均衡、个体在期间的挣扎和努力、时代向前走在个体身上留下的印记这里面的张力处理得很好。
那个年代质朴的人,或许你现在也很难在看到,就是剧情方面稍显拖拉了
总算有看得懂的剧情了 高机动扎古这滑步流畅得堪比我的滑板鞋
题外话,个人敏感…看到阿姆罗带着吉翁帽子那一刻,突然觉得到底是反战,还是给当年的日军洗白…?
不得不说,这是很难得的一部新片,推荐大家可以看看,光是当做城市风景片来看都很不错。
没有花里胡哨的炫技技巧,也没有令人惊叹的特效镜头,仅仅是用主角韩松的所见、所闻、所遇,就引起了众多网友的情感共鸣。
景色很漂亮 大家都应该来看看这样的片子 真心是一部很好的电影 感动
难得的支教题材 符合政策吧。不过情节老套路 人物脸谱化。否则还能再高
真的没必要把tv25分钟不到的内容延长到一个半小时的……
关注支教,尤其是偏远地区,更尤其是我们几乎不怎么关注的藏区支教,很温暖,又很感动
人对人的影响太大了,无私奉献的人引导出一批无私的人。
一个人,也能持续不断地散发出巨大的能量。 “教育”的意义在草原扎根,作为电影观者,我深深地感受到藏区人民的纯朴和老师的伟大。 这部影片很赞👍
2022年的高达剧场版,重新制作多安的岛也弥补了安彦的遗憾,个人感觉值8分
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