Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
杨杏和祁圣翰的疯批样子很迷人啊 特别是杨杏的疯批复仇人设太带感了 很是出彩 打戏蛮精彩的 不过情节真的是一言难尽 一些地方不清不楚的 主角光环实在是太严重了 强行HE也是我个人不喜欢的 不过我愿意为杨杏的表演加一颗星
就。。。女反派是冲着中国版小丑女去演的，烧是够了，疯就很尬了，安志杰还是那样吧
女反是想模仿哈莉奎茵？算了，剧情懒得吐槽，安志杰还是挺帅的，没大红可惜了。
演“希娜”的女主角挺帅啊，挺邪……安志杰加油。
看了另一部云影院《盲战》，不得不让人联想起《黑侠2》《特殊身份》什么的……今年算是中国网络盲电影元年吗？连海报的设计概念都是类似的。你不得不承认子弹横飞，好象不要钱似的场面，还挺好看，但除此之外，也就没什么了。安志杰人中边的伤，感觉是在“模仿”洪金宝，倒不如增下肥，接下来就演洪金宝式的角色，没准是职业生涯真正的转机，《盲战》里竟然还有一个角色，是在非常卖力的模仿曾志伟。这片的坏蛋分势不两立的两帮，那个“妖女”一直潜伏在盲警身边，虽然后者似乎早就“看”穿了她，可就是不响，但问题是，另一帮坏蛋为什么也不响，不早一点向盲警拆穿“妖女”的身份，从而让后两者自相残杀，坐收渔翁之利？这本是中国思维的最高智慧啊！
这动作场面连杰哥都带不动，尴尬到家…那几个变态演的，变态看了都害怕吧…剧情？这真实存在的吗？
其他『优点』如下：
还挺适合小孩看。动画角色还是搞得很可爱的！画面也很有活力，有点科幻色彩。但是梗铺得不太好，有点尴尬。加入的网络流行语把整个电影的风格搞得不伦不类…小孩看了也只能说还行的程度
剧情毫无逻辑，想到哪拍到哪。也是有不少降智操作。安志杰好不容易演一次主角，还给人家用配音。《觉醒年代》里饰演易群先的那个小姐姐在这里演的那个反派还是挺有看头的，以及安志杰的身材相当的不错
故事也不错，笑点满满，又有不错的立意。
大多围绕甜甜圈展开，，很有那种搞笑包袱，推荐推荐观看！
被女主圈粉，就是那种一看就不好惹的那种女人
还搞这么大的场面
现在网大电影都能拍的这样了吗.《夜魔侠》+《飓风营救》+《贪狼》水准不逊色某些院线电影.
及其推荐，非常适合小朋友或者一家观看，老少皆宜，除了对汪星人有些黑化其他很好，剧情也很舒服，画面质量很高
220510看完
这战的，盲着和不盲有啥区别？ 上一次写个xia，有的人还举报一下，我也真是服了。xia和盲两个汉字，竟然xia被鄙视了，认为不雅？xia子阿炳，，我看他也得改成盲子阿炳了。也许是因为1星吧，这次改成5星了，力荐烂片一下。
影片在动作和特效方面还可以，主要问题都在人物刻画和画面营造上面，杨杏和张亚奇明显是想塑造成小丑和哈莉奎茵那种神经质雌雄双煞，可惜用力过猛了，卫生间的铺垫有些鸡肋，而法院的展现显得特别夸张；而作为大男主的安志杰在一众呆板可以的任务当中，显得演技很是在线，但是为了塑造这个角色的成长，整体上有些偏于逻辑了，这方面不赖他，编剧的问题，而导演的问题是画面语言的处理过于潦草，没能将故事讲的简单明了，预告片不错，正片跑品质也就五分的样子吧……
嗯,能把那么多元素还算合理的编排出来,也是不容易.
一般，带着4岁半的儿子看的，个人不太喜欢配音和台词
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