Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.
印度电影标准反转，略拖沓,庭审部分有些降智，差点看不下去。结尾些许潦草
公众的情绪那么容易被操纵吗？易如反掌。
《唤石》→ 猫咪老师为了喝上美酒还蛮努力的。——《可疑的访客》→ 田沼：……不过无论如何，我还挺开心的，因为我和夏目看到过同样的东西了。……
后期反转超级精彩，看庭审那段，先入为主的觉得人权协会的律师说的话全在放屁，后期反转再看又觉得合理起来了
印度文艺工作者的尺度和表达程度我们已经望尘莫及了。但这部电影本身我可真喜欢不起来。
假如没看过《控方证人》和《误杀瞒天记》我一定会觉得是佳作
5、政治一盘棋，人人都是棋子！
拍的真是太棒了，如果没有最后一段转来转去的，会给5星。
你看到的都是希望让你看到的，要爱惜每一次的情绪动用。
为了争权夺利，这些政治家什么肮脏的事都做了。
一个国家的尊严等于它给女性的尊严！！！
两集拼一集的特别版，圆头小妖怪挺可爱，妖怪附身田泽也还行。6
阿三哥都开始反思自己的民主制度了。看短评好多脑瘫都在这电影面前自卑自己的制度了。也是，所谓民主西方世界，也就有一些好电影充门面了。
依然是淡淡的奇幻小清新，然而对于这一部剧场版而言，片尾曲才是全剧最佳。
8.5分，不愧是擅长扇耳光的民族，扇得那个脑回路啊跟拨浪鼓似的
种姓制度，法律程序正义，选举政治，高校剥削，印度片不止载歌载舞，还有各种揭伤疤
反方律师和法官也有点弱，一个就在那听着，等人家说半天说完了才反对，一个是直接说秃噜了嘴，让人抓住把柄
不喜欢印度电影的节奏和摄影手法 但是意义是ch无法企及的 起码ch现在已经没有奔赴前线揭露真相的媒体了 我们从不缺乏“每一份光” 但是我们缺乏发光发热的地方
几个疑问 学生会主席煽动的动机
包罗万象，底层社会到上流高校，中国未来50年内没有可能拍出这样的电影，当我们提起印度电影的时候，我们也应当知道，印度不只有宝莱坞的喜剧，不只有阿米尔汗的摔跤吧爸爸，不只有精彩绝伦的误杀瞒天记，还有这部警世醒世的《宿敌》
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