Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
2.5 为啥能拍2个小时，90分钟就能讲完的故事。
男生挺帅。情节是很老套的玛丽苏。后半段进展和2倍速一样快，一半的剧情只用了1/4的时间，全靠讲述，观感很奇怪。哥哥那条线一直在埋伏笔，但没说。
找回了当年看变形金刚的感觉，也算一种爷青回吧。
西语爱情电影经常给我一种“isnt that rape?”的感觉...
2022-3-11 好土好土好土 高中的我肯定会给四星 现在的我只想给一星 ………… 男主粘上这个女主也够倒霉了 好讨厌这个女主人设 男的就更不用说了 压根儿就不用对他期待什么 ……. 而且我完全不能理解结尾怎么就皆大欢喜了？？这不现实的美好令人不适。还有女主那烂书还能有那么个出版结尾是真的吗 不就是个小黄网文 ｜ 不过话虽如此 还是对双向暗恋的脑残剧没有抵抗力 下次还有我还看 然后继续皱眉吐槽然后接着看
男主最开始每次事后都一副避之不及的后悔样子 我就不能理解 后面的剧情从女主参加宴会被羞辱开始到结局我都觉得很诡异 莫名其妙的你争我吵 又莫名其妙的happy ending了😅
最后飞机爆炸一下be我勉强添一星算它给点惊喜，但现在真是浪费我时间
比xxx2好多了好吗……虽然有点假，但人家本来就是偶像剧，我是颜控嘿嘿😁，不过西班牙人的思想观真的很自强自爱很独立，也不会一直斤斤计较一大堆，又看了一个无敌难看的之后…
玩脱的无人机炫酷摄影，焦灼的人物对话与快速剪辑。层层压力递进，感觉这种电影才是这个时代需要的，回归以前的动作爆炸大片。但是也不乏对人和道德的探讨。
还是欧洲导演会拍！谁青春期没点中二狗血的霸道浪子爱上我的玛丽苏爱情幻想呢 尊重人性 导演多拍点！白妹还是不够敢想 好想让导演拿着中文小言本子拍！批评逻辑和细节真没必要啊 做梦需要逻辑吗 做梦需要的是爽！
白瞎男女主颜值
笑死，这是after2.0吧。又土又俗还离谱，但我居然就是要看。
他們逃他們追，他們插翅難飛 PS：鏡頭晃得我頭暈差點吐了
好拉胯的剧情 但好涩涩的摄影 点上一根华子 想知道全中国哪里的高中有八块腹肌的帅哥
卢瑟才自怨自艾，赢家都是凯旋归。——迈克尔贝，应该是最会拍追逐戏的导演了
迈克尔贝是不是头一回摸无人机啊？无人机视角太多了吧？这个故事其实很有潜力可挖，劫匪为了减轻罪刑，不得不一边逃脱追捕一边挟持人质一起给中枪警员动手术。可电影故事线太散，这个应该可以算半密闭空间的故事真的需要那么多角色吗？有些根本都没必要出镜、提一嘴就行的角色都占据了不少时间。杰克吉伦哈尔的表演很不错，演出了一个冲动易怒又很有执行力的悍匪。这片子在北美市场两周才一千万，这才是真正的电影已死吧？好莱坞真的太缺叫好叫座的中型非IP制作了。
现在的青春片痘是那么大尺度了吗？以为只是蜻蜓点水，猛的一下就脱光了吓到我😂我对青春片的记忆还停留在《足球尤物》《野孩子》《灰姑娘的手机》那么美好又纯情～哎～老了老了
好喜欢这种无脑小黄片哦！男女主角养眼，度过两小时开心的爆米花时光
剧情好尴尬，可能是长大的原因，喜欢的如此套路。。。
电影之神请没收迈克尔贝的摄影机，实在不行没收他的drone也可以，拜托了🙏🏼
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