Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
好强！网大已经到这个地步了吗？虽然黑马营销很那啥,但是本身质量还是很扎实的,各种类型元素都很稳妥在推进,比如父子情,没有惊喜但是不会拖后腿。厉害之处在于整个团队是喜欢游戏的,游戏和电影的转化做得是目前为止最好的了,视听上能看出还是缺点钱,但是运镜真的今年最强,镜头组接非常强势,后mtv时代属性淋漓尽致,让游戏部分视觉呈现出了超越院线百分之八十的效果。声音也是很有特点,选择和使用都非常网感,虽然电影不是属于新的视听语言革新之作,但是确实是属于当下的互联网时代的电影。最后的声音彩蛋也是绝了！
2.5分，上了营销号的当，对这个片期待略高。开头还算有笑点，但是剧本过于老套。
发现是瑞典电影的时候就在想 hmm 该不会是无可救药？点开一看还真是
客观来说，是一部完成度相当高的工业化流水线产品。且受限于其游戏文化壁垒，这个分数已经很可以了。但是!主观来讲!惊喜!实在惊喜!剧本优秀，用光优秀，演技扎实，特效扎实。这才是当前中国电影工业应该达到的水平!那些几个亿投入的，在这部影片面前真的应该好好反省一下。五星鼓励。
合格的爆米花，这次真是给网大电影长脸了，多给一颗星以资鼓励；其实黑鲨第一次开挂这比赛就相当于结束了，这谁都看得出是开挂了，开挂了还不发现那观众就不会买账，比赛就没人看，没人看就没流量那这比赛也就开不下去了
这部电影给了我很大的惊喜，所以要鼓励。我们拍电影的初心是什么，拍电影可不可以走点心，我们的要求真的高吗，这些问题是不是应该多想一想，至少你要对得起自己呀！
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期待高了，影片设定很好，也很有诚意，把游戏的内核转化了部分出来，并且制作上很有水准。但是还是比较套路，没有太在意现实的部分，故事就显得比较假。但在网大里应该算是很好的水平了，而且本来针对的就是网大的受众。
被片名吸引来的，感觉乔安娜既不幸又幸运，不幸是因为自身的病症和家庭，幸运的是遇到了她，这个电影总体还行，不是很能理解
這樣的感覺真的
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还是喜欢能让我获得平静和被爱的感觉的人。每每看到大人的崩溃要让孩子来处理，大人需要孩子给台阶下的桥段都愤懑不已。你们就不能强大一点么，你们多活了那么久，又是面对孩子，就不能强大哪怕一次么！淦！
自古英雄出少年，这导演年轻有为，视听上相当有招，必须献上膝盖！
看这部剧总能让我想起另一部《疯狂玛丽的约会》，一样的相貌平平会搞砸一切的女主，一样的被中发漂亮姐姐温暖拯救，一样的开始不被理解，一样最后的美好结局。但更喜欢这部。话说女二真的巨爱笑，巨会和人相处，巨理性，巨理想的情人有没有。
大家都很可爱的小电影，我觉得拍的一点也不拖泥带水，该抛梗接梗的节奏都很好，看得很享受就是！
本片没有在影院上映是同期院线电影的幸运，枪战的视觉效果玩出了新花样
最后拿平底锅硬刚，真是戏剧化了。不被资本控制，就想赢得胜利的配角，很有体育精神。
睡前看了更睡不着，在大街做好刺激呀！好想再看策划和作曲前辈之间的故事！看完更想出去旅游了
#GöteborgFF2022北欧竞赛 +
但高人为了蠢太努力绽放的样子太闪耀了！
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