"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
死亡与离别才叫生命完整，才令相爱的时光珍贵。如果我不在了，我希望有人知晓，时不时泛起的记忆带来泪花或微笑。如果我爱的人不在了，我一定不想要一个复制替代品，我要为那个真实活过的人疯狂嚎哭，日日夜夜思念哀悼。
有点儿托卡尔丘克的味道。 对了，天鹅一名是对应诗神吧？
多重反讽
工整的科幻想象。too much man.
要爱得怎样深沉又无私，才能承受如此这般巨大得吞噬自我的痛苦与孤独……
我也会拥有值得我复制出另一个我陪伴他们左右的人么。
夜雨翦春韭，新炊间黄粱。
今年最打动我的电影之一。未来和克隆只是设定，其实讲的是人类和自己一生的和解和告别，是需要静下心来好好看的电影，是把大权郑重交托在演员手里的电影。阿里演得很棒，奥卡菲纳也演的很棒。
当然有点扯的剧情，但还有什么能比每年都还能看到这栋大HOUSE来的赏心悦目呢。
这个系列确实没有继续的必要了，给个情怀三星吧。已经变成庄园文化僵尸了，观感如同裹脚布，无趣冗长。疫情都过去两年半了，唐家屯还在上演阶级固化、小打小闹但永远无伤大雅的合家欢大电影，仿佛给每个人凑到cp、结婚生子就是童话里的happy ending。唯一欣慰的是我们英俊迷人又贤惠的Barrow小可爱终于找到partner了，而那压根没有几幕的情节竟然也被和谐了（我根本不需要查都可以想象至多是个kiss，和对lady mary的一小段自白），简直、气到变形(－＂－怒)That's why I can't put up with (you know who)……
克隆人题材科幻伦理片，关于克隆人和本体共存的问题讨论并不新鲜，本片对问题的探讨也浅尝辄止，最后落脚点在宣传人间温情上。画面和室内装置不错，风格很像前几年的《机械姬》
拍电影这个情节真不错，不用看庄园里的人吵来吵去但又有足够的喜剧冲突。很温暖，即便“We're orphans at last”。
怕看重复！标记一下！听说是tv11-14集 就不看啦
我要死了 然后我决定克隆一个自己继续爱我的妻子 照顾我的孩子 然后我还不能告诉任何人 看我多可怜多伟大！如果视角转换一下呢 有没有偏执狂的恐怖故事那味儿？这片子给我的感受和不可饶恕类似 我确实不是这类叙事的受众…
观影过程中，脑海的故事已经与这部电影无缝链接了。
婚礼开始，葬礼结束，看着演员肉眼可见的老去。
意思用几集动漫凑出来个剧场版 究竟这种剧场版意义在哪
特别在看了“诡秘之主”后对英国贵族生活有了一点理解
《鬼灭之刃 灶门炭治郎 立志篇》Ep11-14，我妻善逸、嘴平伊之助（山猪面具男）悉数登场，鼓屋的设计相当精巧有趣，唯一不足就是善逸这个角色太过中二
当然有点扯的剧情，但还有什么能比每年都还能看到这栋大HOUSE来的赏心悦目呢。
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