Sydney and Darrel met while working through the trenches of chaos of low budget independent filmmaking. Like most forced to produce under pressure, they grew close and began to admire and respect one another. However, their romance never quite had the opportunity to blossom and once the production was over, they went their respective ways and moved on with their lives. After 2 years of post production, when the film is celebrating its premiere, the two of them meet again. With spirits flying high and the cast and crew present to critique and admire the work they have done, Sydney and Darrel after a night of drinks hook up. In the last two years they've had their professional triumphs and failures, they've had their flings and various romances, but they've always kept each other in the back of their minds as that one that got away, the magical other. But...things are different now.
一部我以为是日常向，结果带奇幻色彩的番
开篇真的很好看呀，设定也很喜欢，但是中后期剧情太弱了，每次一听故事我都打哈欠要睡着了。画风挺好看的，但是海边的异邦人那种画风我更喜欢。不喜欢姐姐的设定。
催眠向，里面的河童虽然丑，但是竟然觉得挺可爱的
三星半。第一次见天海女王演这么苦恼的角色呢。
就那个样子 不过对于遭受过自然灾害的人的心里路程很能理解，奶奶真善良呀！
编剧可以强行给合租广告片一个好结局，给不了人生。
缓解大众焦虑的片子 年轻一定要多赚钱 加油我自己 海锅真的好可爱啊555
故事性不严谨 结局有点草率了把 作为轻松娱乐片看看还行
感觉画质和故事都是平平淡淡的…经历地震一起与陌生婆婆在农村疗愈的，治愈成长伤痛的故事。有妖怪和鬼神什么的…
喜欢奶奶照顾孙女的部分，就是这个结尾打败大坏蛋太敷衍了吧。。。
关于灾后重建，属于狐岬的“山月记”，很满意的一点是主角都是女性，加入神话志怪元素，更显动人。
及格不能再多，前面致郁，结尾又太乌托邦了，唯一的看点是吐槽女主进不了宝冢哈哈哈哈哈
都是很温馨的小日常
可以理解为是一个风景片。前后风格不一前面是暖心的救助，后面突然变成妖怪篇。
但是后面感觉有点莫名其妙 跟前半部分不怎么衔接得起来 结束得也很匆忙 感觉虎头蛇尾
画面依然很具日本特色，很美丽
2022-76，温暖的童话故事，日本听过的没听过的不思议（妖怪）👺都来了～
结尾非常理想化 还顺便宣传了日本的未来群居生活推荐 挺那啥
自从我丈夫去世后，面对纷拥而至的孤独，我开始了胡乱消费
天海祐希和松重丰演一对五十出头的中年夫妇，公公去世，花了家里700万存款的400万，越是没钱，用钱的地方越多，每一块钱都精打细算。
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