Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
法国人永远那么浪漫，或许已经很久没有爱情片能触碰到我的心底了。
太像我前室友了！在欧洲国家长大，漂亮自信，每天风风火火，不拘小节，不严肃的情感生活，每天背个旧背包，似乎没吃过、用过高端的东西，但不妨碍她经常成为别人生活中的一股清流
不喜欢与老头的戏份，但是女主对生活的态度让人羡慕，开放式结局也不错，两个人的情欲戏很有feel。
这是只有在法国才能拍得这么浪漫随意的电影吧，女作家这该死的魅力
手捧鲜花跑进公寓自顾自喋喋不休，推掉会议坐火车去听爱慕之人的座谈会，阿娜伊斯是那种完全忠于欲望、随心所欲的女人，她的不按常理出牌总让人措手不及，由此散发的独特魅力也让人深陷其中；弗兰西斯·哈、世界上最糟糕的人还有此片都有女主在街头奔跑的画面，她们都是像风一样自由又同火一样热烈的女人，大概只要不停奔跑，那些琐碎的、难缠的就会被抛在身后，那些明媚的、灿烂的就会扑面而来。
“你吸引了我，你征服了我。你可以得到所有想要的东西，你可以移山填海。” 仅你可见。2021.12.29
Gosh，全程嘴角上扬疯狂心动，"我不同意"，什么tmd叫浪漫，这tmd才叫浪漫！
所有美好都发生在夏天
沙滩的戏好棒。但是女主每次在别人和她讲话时都爱自说自话真的很讨厌。
推土机女孩与海样女子的美好爱情，美美美；最美情话：“我不同意！” 又是被女性导演亲切视角征服的瞬间。
Écris-moi encore！
女主奔跑的样子很美，但是怎么说呢，爱情很重要，可是生活不止是爱情，所以我有点受不了。
就是说选角
结尾太动人了。“如果你的生命中有一种激情，或许你就不会再生病。”
是不是所有年上都会对年下说Emily对Anaïs说那一句“你在我这里看到的只是幻想，而不是爱”？可是这样每条皱纹里都写满了优雅与从容，岁月都对她手下留情的年上是年下拒绝不了的，她们有着致命的吸引力，就像Emily对Anaïs。也像她们对于我。
一地鸡毛时看看法国片。别人在一地鸡毛时仍然可以优雅谈爱情。
台词实在是太好，和女主深切共情。这就是那种适合一个人用小银幕看的私人小品，不用深究逻辑和脉络，享受法国盛夏的明媚阳光就好。
2022至今看过最喜欢的爱情故事。想把Anaïs的小裙子都买下来，爱治愈了她的幽闭恐惧症。最后一段伤心的对白，本以为一切将落俗地诀别。我们都需要更疯疯癫癫，哪怕勇敢到令人心碎。
电影风景如画，女主更是如风一般的女子，这电影就像那不勒斯的夏天，像碎花裙，有点点清新文艺，又带着一点点慵懒，剧情节奏不疾不徐，最后作家的一席话，乃本电影点睛之笔，颇有点《廊桥遗梦》的意味，结局仁者见仁。
自由洒脱又热情。结局好评～我最爱的年上年下相爱的剧情～沙滩做爱戏拍得太美了～作家说分手都说得这么文艺平静又温柔，但还是抵不过年下的一句“我不同意”～
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