Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
脑洞大开的一场魔与神驱逐对狙，神父犯了错还不敢承认算是最大的错误，随着民众的认可迷失了方向，直到女儿出问题才追悔莫及，老伙伴临死反复嘱托不能做交易也挡不住自我献祭救孩子，从主教的态度来看魔鬼和上帝某种角度既对立又共存，只是苦了这帮基层工作者，要么附身要么被干，魔化的圣母和耶稣造型好评，神父的内心挣扎都写在脸上了有点太过，最后有点万能钥匙的感觉，不过魔鬼感慨女儿的神性和神父的牺牲应该算是扳回一城没彻底失败，不过老一辈暗暗倒下了，新一代又要接棒也是挺残酷的，像极了生活
扯犊子，这么一个被上帝附身的牧师，连续嘴炮battle都没输，魔鬼一谈条件就同意了。。。我来教教这个牧师，成年人是不做选择的，都要好吗？
其实挺有意思的，结尾预留了可继续伸展的空间，新的故事也将开启。期待续集。
整个电影都好萎，男主这配件人设竟然能如此无趣。也就身材可以看看。
真的挺喜欢这个色调和质感的，主题也不错，但是叙事节奏感觉一塌糊涂啊😂特效化妆也一般😂
开头氛围渲染的还不错，但是到后面驱魔片直接变成了丧尸片，驱魔的仪式没什么新意和吸引力。这其中的圣人和恶魔仿佛是相生相克，一代传一代的轮回，代表最高神圣的梵蒂冈也被恶魔所渗透了。
普普通通的惊悚片，有一些新意，但是没拍出亮点来
打斗和丧尸片一样烂，情节像超级英雄片一样扯，起码有个驱上帝的乐子，给个四星不过分吧
男女主一会儿像仇人，一会儿又互相勾引，莫名其妙，最后还是在一起了。女主穿着紧身裤时屁股好像还挺翘。
男女主一会儿像仇人，一会儿又互相勾引，莫名其妙，最后还是在一起了。女主穿着紧身裤时屁股好像还挺翘。
还可以，看过挺多驱魔的电影和美剧，这个内容还算挺新颖，神与魔只隔了一个信念，转瞬即可变换，全篇充斥着圣经内信仰与典故……最后神父变成了魔鬼，而之前的魔鬼变成了上帝的使者……
反向驱魔,有点意思.看了眼台湾的译名,<神鬼驱魔令>...果然很呆蛙
我命令你從她身體里離開⋯你進來我就離開⋯
恶魔与上帝在play cards，设定挺有意思的，值得一看。所以最后那个大主教其实也是balban的人了吧，居然称呼他为prince balban。
梵蒂冈也被渗透了
反向驱魔确实有创意，但是牧师的几次中断驱魔导致前功尽弃也确实来气。却又实实在在的黑了一把梵蒂冈（恶魔就在梵蒂冈），也挺敢想。依然喜欢宗教题材！
劇本很棒，反驅魔的設定很cult,但導演的功力尚不成熟，後半段拍成了喜劇，鏡頭與構圖也較平了。
整体不按套路出牌，感觉可以给四颗星了
神父：恶魔，我命令你从她的身体里出来！
真就就除了《驱魔人》后，所有的驱魔题材的恐怖片我当做生活片在看，小国家的恐怖片即便是合拍片也真的粗糙得很。
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