The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
It’s a type of French romance that I don’t quite understand...
《阿娜伊斯的爱情》,唉,女人好无聊啊,除了青春和爱,好像别的都没有意义了一样。也只有法国那种语境下才有这样的片子。法国人真是喜欢挥霍的人群,挥霍自由、青春和不负责任,以人人都有“追求爱的权利”之名。
法国女郎,黑发红唇,一袭红裙,沙滩阳光,激情洋溢,人美景美,剧情一般
3.5 the last 10 minutes was gonna save the whole movie, but the last 2 minutes of the last 10 minutes ruined it again… an irresponsible asshole getting away with everything cuz she’s pretty. And when she’s finally getting poetic justice, she got her way again… some bullshit
女主不是我的第一眼美女,但是不影响我对影片的喜欢。夏天真好,海边真好,爱情真好
开头很美,结局很“理想”,其实都是过客和当下罢了。
那些从没花时间学会独处的人因此也没学会如何爱他们自己于是请别人来替自己完成
没有哪个les在学生时代没暗恋过老师吧?本片结尾真是不能更完美。故事像是法式Carolx Ammonite,色彩明快配乐到位,唯一缺点可能是前半段节奏太慢,年上出场有点晚,魅力施展不太够。
´Je suis pas d’accord. Dis-moi oui ´ Je pense que je croirais encore en l’amour.
un peu nouveau le sujet. La maîtresse de l’homme aime la femme de cet homme. Pas mal comme stratégies. Mais j’arrive pas à croire cette histoire. Moyen comme film.
这是只有在法国才能拍得这么浪漫随意的电影吧,女作家这该死的魅力
看了个开头,弃了。大概今年很多剧都有同性CP,反倒贴着同性标签的看不下去了。
女学生在一个暑假依次拿下一对中年夫妻,真的很法(fà)国
ps,电影名字也好浪漫,而且和《阿黛尔的生活》一样,都是和电影的女主角之一是相同的名字,喜欢。
《首演之夜》
学习一下张口就来的技能(和喜欢的女人一起迷失在那间黑屋子会不会太美妙了
好戏从60分钟开始。
前段喜剧风包袱密节奏快信息足,最后却突然抒情拔高博同感,导演把控着实一般
于是那天晚上
女主竟然也总是在奔跑,这个害怕幽暗的封闭空间而奔跑起来“很懂得索取”的女孩就像法式浪漫,浪即是自由的主体性,漫是散漫任意。不过我还是更喜欢“世界上最糟糕的人”
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