Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
倒是觉得没那么差，没有特别抢眼的明星就掉价了？ 大概时长诟病，并没有那么多人兴趣该机构起源罢，但这类电影有个好处，我中间倒个水吃点东西，我听也行，比起很多我已经在好玩的在分析，那羊肯定有故事。
。。。
这个质量观众不失望才真是奇了怪了，导演把源起故事拍得既不燃，又不爽，哪怕说成独立故事，也能够成立，而且叙事节奏也有问题，很快就一泻千里了。Harris Dickinson依旧是帅的，之前还吐槽他花期太短，不过就这部电影来看，英伦风不够，绅士味甚少。
男女主已经没啥拍的了，开始拍老一代的狗血剧情，竟然还没完……
我居然看到了第三部，Hero你知道我有多喜欢你了吧🤣
这算哪门子电影，拍成电视剧慢慢狗血不好么。。Hero的颜值也已无法再支撑我看下去了。。。
砍掉一小时也完全不影响节奏，只有几场打戏还能看出第一部的影子，其余就是一群一点都不有趣的人自以为是地玩着讽刺zz的滑稽剧。
期待很高却大失所望……剧情上bug依旧数不清，最关键的是如此拿历史开玩笑真的好么？我反正是有点接受不了
狗血大乱炖。感觉没有第一部那么上头，男主颜值还是抗打，但没有第一部那种氛围感了。
断断续续像连续剧一样看完了三部。总结下来，完全是搞对象那点事儿，别的一点没有，说女主工作能力强？sorry？俩人拉拉扯扯的矛盾磨磨叽叽就那么点儿事。男主孩子气缺乏安全感，女主一副白莲花的样子实际上到处留情（别跟我说你另一半这样你不生气），它永远是对的男主吃醋就是男主的毛病。BTW，一部靠颜值和情色场面撑起来的戏，女主的身材能别这么像大妈么。
Hardin是专门用来给Tessa添堵的吗😅控制欲太强了吧😅这都不分手我不理解😅剧情越来越狗血，合理怀疑这系列拍到现在就是为了让他俩每次doi都解锁一个新场景…（srds他们颜值好高我好爱）
剧情一整个莫名其妙+魔幻现实主义，看得我满头问号，小男主愣头青太气人，继子快银可以有，伏地魔打的比阿汤哥还辛苦一点也不优雅…虽然芭蕾舞打斗挺好看的，彩蛋挺脱线的，但是跟kingsman有啥关系？全场就记住了个武（划掉）舞僧，二战可千万别拍了
床戏都变难看了，最后被父母爱情那段气到了🙏🏻（我跟你有过一段情男主是我俩的儿子所以我们在你结婚前夜且我老婆还怀孕的时候打炮完全是正当并可以理解的！你们这些不明内情的人都不许凶我！
太愚蠢了。既然剧情都是胡扯，就不必浪费口舌进行评价了，反正意淫无罪。只有一点:像跳伞、攀岩、手斩人头这类体力活，请让年轻人做吧。一个糟老头子恨不得独角戏唱全本，真的没有可看性。
拉斯普京的妖僧版芭蕾战舞笑死我了，彩蛋太亮眼了，列恶魔与希魔头同宗同源握手的惺惺相惜真的只有在电影里才能发生，感谢马修·沃恩用一个KUSO片为其正本清源，必须一定务必严正加一星。
#2.0# 又换了个导演，最弱的一部床戏，狗血依旧，但是“我是你爸爸”的桥段上演时，我真的笑的太开心了哈哈哈哈哈，期待第四部。
这是什么垃圾，无聊透顶！更要命的是美国猪猡夹带私货污蔑列宁！
好不容易有个气质反派，不一会儿送走了；好不容易男主有点意思了，发现他不是男主...
别总是你追我跑再见面和好
You have no idea how heartbroken I am when you’re with someone else
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